Title:
Obsession
Production:
Season 03 | Episode 14 | 58
Original air date:
February 18, 2004
Writer:
Holly Harold
Director:
James Marshall
Series regulars:
Tom Welling (Clark Kent)
Kristin Kreuk (Lana Lang)
Michael Rosenbaum ("Lex" Luthor)
John Schneider (Jonathan Kent)
Annette O'Toole (Martha Kent)
Sam Jones III (Pete Ross)
Allison Mack (Chloe Sullivan)
John Glover (Lionel Luthor)
Guest stars:
Ian Somerhalder (Adam Knight)
Sarah Carter (Alicia Baker)
Lynda Boyd (Mrs. Baker)
Paul Perri (Mr. Baker)
Françoise Yip (Dr. Lia Teng)
Camille Mitchell (Sheriff Nancy Adams)
Kate Robbins (Teacher)
Music:
Song: "Setting Of The Sun"
Artist: Ben Jelen
Album: Give It All Away
Song: "Echo"
Artist: Blake Hight
Song: "One Thing"
Artist: Finger Eleven
Album: Finger Eleven
Song: "Parking"
Artist: The Fuzz
Previous Episode:
Velocity
Next Episode:
Resurrection
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Ratings:
| Airdate1 |
Rating2 |
Share3 |
| 02.18.04 |
3.8 |
6 |
1(U.S.),
2% of all households,
3% of households watching tv.
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A girl named Alicia becomes obsessed with Clark. Lana asks Lex for help in getting rid of Adam and the reason Adam is in Smallville is revealed!
What's up with Clark: While on a field trip Clark and fellow student
Alicia get on an elevator together. When the doors shut, the cable breaks
and it begins plummeting 35 floors. Clark has no choice but to fry the
security camera then use his super strength to stop the elevator. Alicia
is noticeably shocked, and as the security teams begin to open the door,
Clark asks her not to tell anyone. Alicia grabs Clark and teleports him
to an empty floor. Now Clark's the one surprised and Alicia says now they
both know each other's secrets. The next day at school, Clark asks Alicia
about her powers. She says she's had them since the meteor shower and
that she's relieved she can finally share her secret with someone. Later,
Clark and Alicia deicide to meet up after school for a movie. After the
movie they look at stars at the loft and bond over their powers. When
Clark drops her off they move in for a kiss, but Clark pulls away at the
last minute and heads home. As he's sleeping that night, Alicia teleports
into his bed and the two kiss passionately. As they're kissing Jonathan
walks into the room. Clark tells his parents about the elevator incident
and that Alicia doesn't know all about Clark's powers and how to stop
them. Alicia teleports into a near by closet and listens to Clark say
he thinks he's finally found someone he can have a relationship with.
What's up with Lana: Lana sneaks into Adam's room and finds a journal
he's been keeping about her and Clark. Adam finds her and demands she
give it back. She says no and that she wants him to leave, but Adam tells
her he's not going anywhere. Lana goes to Lex for help in getting Adam
out of her life. Lex tells her not to worry.
How it ends: Alicia puts pictures of herself all over Clark's locker.
She tells people she's his girlfriend and tries to kiss Clark in the hall.
He freaks out and tells her things are going to fast, to which she replies
"people like us don't have boundaries." Clark continues to worry as Alicia
continues to become more and more obsessive and controlling. He goes to
see her family and her parents say that he should be careful because the
last time a boyfriend tried to leave her it turned out badly. As Clark
leaves, Alicia teleports in and tells her father he shouldn't have warned
Clark. Clark finds out Alicia hospitalized her father and tells her she
should turn herself in. She refuses and tells Clark if he wants his family
safe and secret kept, he'll keep his mouth shut and be her boyfriend.
Clark enlists Chloe's help and the two set a trap for Alicia. She thinks
Clark's in trouble and heads off to find him. Clark tricks her and gets
her in a room that's been covered in lead paint. Alicia tells him that
she can't teleport out, but she can walk out. And with that, she uncovers
a piece of kryptonite, she overhead Clark's parents saying it was his
weakness. As Clark falls to the floor she tells him that once she gets
Lana out of the way, he'll come to his senses. Alicia hunts down Lana
and tells her that Clark is still in love with her and that she must get
her out of the way. As she's chasing Lana, Clark kicks over a bucket of
lead paint onto the piece of kryptonite... neutralizing its power and
allowing Clark to come to Lana's aid. Clark covers Alicia in lead paint,
stopping her from teleporting and saving Lana's life.
The next day Lana stops by the farm to thank Clark and confront him about
still being in love with her. Clark says it's not true and a disappointed
Lana walks away. When Lana returns to the Talon she finds that Adam is
gone, but Lex tells her he had nothing to do with it and that no one can
find any traces of him... Adam is seen strapped to a chair with Lionel
Luthor hovering around him. He tells Adam he's failed. That he sent him
to Smallville to become friends with Lana and learn all he could from
her about Clark. Dr. Tang comes in with the serum Adam needs to live,
but Lionel tells her Adam's purpose is over now that he's alienated Lana
and Adam is left in the room to die.
[back to top]
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All that male-model training has finally paid off for Clark: He has a girl-stalker! When Clark and Kentfan are stuck in an elevator together and the contraption suddenly begins to fall to destruction, Clark has to show off his powers to keep the girl from getting squashed. Turns out she has her own power: the ability to make Clark horny. Also? Teleportation, holmes. Clark feels he's found a kindred soul in this comely Kryptofreak, but his enthusiasm is short-lived. She's teleporting to every damn place: his bed, his locker, to hold Lana by knifepoint. So, uh, what's the problem? Unfortunately, Clark is a young guy. You can't pin him down! He's the wind, baby! Step off, ho! So after Clark develops some raging hormones for this girl, he begins to back off, and things go badly from there. Kentfan's parents are afraid of her and have let her powers go unchecked (she escaped from her lead room). In the end, Clark must save Lana (yawn) from Kentfan with, of all things, a can of illegal lead paint. Yay! Meanwhile, Lana's tenant Poor Man's Wes Bentley has been keeping a diary on Lana, but before she can kick him out, he disappears. Before Lana and Lex can spring into action to look for him, we discover that Papa Luthor is behind PM'sWB's weird medical risen-from-the-dead condition, and that Papa was using PM'sWB to get to know Lana and spy on Clark. When he fails in that mission, Papa is ready to withhold medicine and let the dude die. Sucks to be Poor Man's Wes Bentley.
By: Omar L. Gallaga (TWoP)
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Clark is forced to use his powers in front of Alicia, a new girl at school, but he is surprised to find out she has powers of her own. The two develop a bond through their shared secret, but things turn ugly after Alicia becomes obsessive about sharing Clark with anyone else - especially Lana. Meanwhile, Lana asks Lex to investigate Adam. Allison Mack, Sam Jones III, John Glover, Annette O'Toole and John Schneider also star.
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Chloe: Welcome to the Lionel Luther exhibit. Next floor, victims, sycophants, and hatchet-men.
Clark (to Alicia): Elevators. Too much demand, not enough supply.
Alicia: What did you do?
Clark: Please don't tell anyone about this.
Clark: What did you just do?
Alicia: You didn't want to get caught. You can't tell anyone.
Alicia: (to Clark): I'm not really as stuck up as people think... I just figure it's better to be alone.
Lana: You've been spying on me and yiou've been spying on Clark.
Adam: Look who's talking.
Adam: I guess you haven't checked tenant laws. It's not that easy to evict someone. I'm not going anywhere.
Alicia (to Clark): When you dropped me off I could tell you didn't want the night to end... and neither did I.
Jonathan: What'd you do, fall out of bed?
Clark: (pauses) Dad!
Pete (to Clark): Anyway, that girl is on fire. Congratulations stud.
Alicia: We're special Clark. People like us don't have boundaries and limitations.
Alicia's Dad (to Clark): There was another boy that Alicia liked a lot. It didn't end well. Be careful.
Alicia (to Clark): It's time to move on... You and I are meant to be together.
Chloe (to Clark): Once you go psycho, all bets are off.
Chloe (to Clark): Well we know Alicia has one weakness - you.
Alicia (to Clark): Once Lana's out of the way, you'll realize we were meant to be together.
Alicia: What have you got that I haven't got?
Lana: I don't know what you're talking about.
Alicia: I think you do... what's your secret. You're not prettier thabn I am, you're not smaerter than I am and you definitely don't have my abilities.
Alicia: Why Clark, why?
Martha: Someday you'll find the person right for you... sweetheart there's no one like you.
Clark: Maybe that means i'll always be alone.
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All right... this episode. Really, I think it was a half and half episode. The first half rocked, provoked some startling characterization, then kind of fell down the boob tube and got trapped in the bra. My reasoning? Not the 17 year-old pseudo porn (which actually kind of made sense, given the plot, and didn't seem amazingly arbitrary) nor the raging Lana passive aggression, but rather that this episode, among many now, has a freak of the week, and one that, at least in my opinion, could have been avoided.
Alicia is like Clark. They meet because they both have powers that alienates them from others. So Clark gets close to her, and Clark gets a little physical with the most straightforward woman he's met.
Then things fell apart. For some reason, Clark, an able bodied male, turned down physical affection, and for some reason, a girl who can teleport, like, say, 55 of her brethren or so, suddenly turns homicidal. Yeah, a previous boyfriend ended "badly" and her parents might have locked her in a little room, but really, I was locked in my room, my first girlfriend ended with me MORE than badly, and though I can't teleport, I did often jump out my second story bedroom window with a crafty sneak sneak escape.
But I'll get to that. Basically, that's why I'm half and half. Why couldn't we simply have Clark fall in love with a girl who makes sense, like Alicia did before her arbitrary character shift, and maybe have an episode centered around the characters we love and how they interact (like say, Lana realizing that she might be losing Clark, or Clark figuring out his sexual independence, beyond cursory dialogue and two terse scenes). Instead, we have an inserted, horrible freak motivation (though the fight was okay. I'll get there as well) and an ending that leaves much unresolved.
So the episode, as it happened:
Clark and Chloe are in advanced economics? Tell me, why is there an Advanced Economics class in rural Kansas? They'd be lucky to have plain old Economics, and at that, the Home kind. Okay, you Kansas people, now you can write me in and flame me. But I grew up in a fairly big city and there was no economics program...
Clark's hair is shorter. Attention to continuity with his hair getting shorter and shorter is great, but how does he cut it? That would be a cool scene to see.
Now, we either have really dumb teachers in Smallville (my guess) or we just have a nonsensical arbitrary plot twist when the teacher allows Clark and Alicia to go alone in the big city on an elevator. That just doesn't happen. Teachers are so afraid of being sued, they won't let you do anything risky any more, much less let a guy and a girl be alone in an elevator, a potent aphrodisiac if I've ever seen one. (more...)
By Neal Bailey
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Why doesn't anyone wonder how Clark and Alicia got to the ground floor before the elevator crashed as they said they did? When the class asks if they were okay they said they got out before it crashed.
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